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Our partners: France Culture

For its second edition, Books in mind is happy to count among its partners France Culture.

France Culture was born in 1946, following the reconstruction of the network of medium wave transmitters at medium power. It was not until 1963 that it took its current name. Since September 2010, France Culture is headed by Olivier Poivre d'Arvor.

Her eclectic covers many cultural fields, such as:

• literature (A naked voice, Completely book, The Papuans in the head ...)
• ideas (The Roots of Heaven, The Making of human, the new paths of knowledge ...)
• arts and entertainment (offscreen, Rendez-Vous ... Mauvais genres)
• history (sequence of tenses, The Making of History, The Salon Black ...) science
• (Planet Earth, with or without an appointment, Continent science ...)
• creations radio (first attempts, the window passenger, Passengers of the night ...)
  

The website you France Culture allows viewing of live programs: http://www.franceculture.com/

In the first edition of Books in mind, France Culture gave us the honor to record our readings. You can also listen to our subject was spent in the broadcast Drama / Theatre and Co., by clicking here .

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Our partner: CCAS

For its second edition, the festival heads Books can count on the support of the CCAS (Central Fund for Social Activities of the Staff of electricity and gas).

Everything you need to know about the CCAS is available on its website .

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Our partner: the refectory of the Cordeliers

The Refectory Cordeliers host three of the five events heads Books 2010: PANTHEON , Your Page night and Bal page.

Since 2007, the City of Paris wanted to put the refectory of the Cordeliers available to the universities of Paris, in order to develop their missions spread of culture and information science. Thus, the Refectory is a place:

• to present research and academic excellence Parisian
• disseminate scientific culture
• Open University on its environment (the City, international and business)
• enhance the scientific and cultural heritage of universities

For more information about the Refectory of the Cordeliers, visit its website .

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Our partner: the City of Paris

For the second year, the Paris City Hall has done us the honor to partner with the Festival Music head.

economic and commercial center of France, Paris is also known for its rich culture, including literature. During the Renaissance and the mid-seventeenth century, the city became home to French literature. Somewhat overshadowed by Versailles and his court, Paris nevertheless the heart of intellectual life French, as evidenced by the creation of the French Comedy, under the patronage of King Louis XIV in 1680.

After the Revolution, foreign artists, threatened in their own countries, found refuge in Paris, such as Frederic Chopin. The 20s marked the arrival of foreign writers, headed by Ernest Hemingway, who come to draw their inspiration. At the end of the Second World War, Saint-Germain-des-Pres radiates from the literary activity of Jean-Paul Sartre, Jacques Prevert, or Simone de Beauvoir.

Even now, Paris can be claim to be one of the most literary world ...

More information about cultural life in Paris by clicking here .

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Our partner: the cultural department of the University Paris-Sorbonne (Paris IV)


born after the reform of the University of Edgar Faure, Université Paris-Sorbonne (Paris IV) is one of the most important French institutions of higher education. Shared between the Latin Quarter and other places in Paris, Paris IV hosts over 23,000 students within its walls.

Its cultural service program more than a hundred cultural events, overwhelmingly female students. Thanks the cultural department, the university students can:

• receive support to carry out cultural projects
• attend workshops (chorus, chess, drama, choir ancient Sorbonne sound, writing poetry and fiction) and competitions (poetry and themes),
• be offered theater tickets, discounted (theaters, Carte Louvre ...) and a wealth of information on cultural events in Paris and the Island France.
  

More information about the cultural department of Paris-Sorbonne :
Galerie Claude Bernard, i staircase, ground floor
1, rue Victor Cousin - 75230 Paris Cedex 05

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Exclusive Interview: Karol Beffa "Reading is a singular moment"

You've been an actor, you've studied history, philosophy, statistics and now you are a musician, composer, teacher here at the Ecole Normale Superieure. What explains a course as unique and varied?

I think the statistics, it was an "accident": I wanted to study mathematics and economics at a high level, and he found that the course I followed in the National School for Statistics and Economic Administration included training in statistics. You ask what explains this way ... I do not think I knew immediately I specialize in music. For a while, I managed to juggle many musical studies and general studies long. I was interested in lots of things and it's rather late that I decided to immerse myself in music. And yet ... I'm always a big reader, I am interested in political debate, literature, theater, cinema, dance. (In another life, I still make movies.) And is linked to the taste I had for all these things.

You are a composer and improviser. Improvisation and composition are they far apart from each other?

The two activities are quite different and yet have much in common. For example, in both cases, the imagination is the queen of the faculties. Of course, when you dial, you can go back to what we have down on paper, once, twice, ... ten times the concentration may optionally be interrupted. When we improvise, however, the concentration must always maintain a certain level, like the security of piano playing - which assumes a different form of concentration. And then improvise leads to greater mobility style, which is accompanying a silent film, readings of texts, or that we improvise on themes submitted by the public. It takes a broad stylistic range, enough plastic.

You're talking about plastic stylistic range. Would you say that your music is descriptive?

I do not think. My titles are more or less descriptive. Procession of the Shadows is poetic, but moderately descriptive. Masks could pass for description, but is also a reference to Debussy and Szymanowski, which I love. As for my CD Improvisations , the case is somewhat unusual in that it is a disc made of the conditions of the concert: the audience suggested to me the themes on which to improvise. As the statement of the theme that will trigger improvisation, it is not surprising that there is an illustrative share.

No, I do not write music descriptive but evocative , which is not quite the same thing. My music creates, it seems, visual representations, mental images ... and in a sense, all the better.

How did you come to improvise during evenings reading or silent films?

For silent films, it came from my interest in cinema, period. I wanted to combine my love of film and my melomania: accompany silent films allows me to discover a rare repertory. One of the first readings that have been asked to improvise was the occasion of the visit to Paris by Toni Morrison, Nobel Prize for Literature. A little intimidating, but particularly exciting ... As for Persons delivering audio-players, I met Jean-Paul Carminati and Bernhard Engel in Monaco, there are nearly ten years, through Beatrice Dunoyer, in charge of programming Prince Pierre of Monaco price - a price that is both literary, musical and visual arts. This first collaboration in which their readings were accompanied by improvised in my comments piano was followed by many others. And colleagues, they became friends.

Power rub with them to literary texts, both contemporary literature or the classics, something exciting. By definition, a reading is a singular moment: the delivery person will not read the same way one day and its aftermath. Improvisation but also has something unique about the night of the concert, my support may be very different from the general.

Do you have plans to soon or later?

I am just finishing a ballet, music that will be choreographed by Julien Lestel for creating the Grand Theatre of Aix late May. There is talk that I write musical stories for children and a room for the choir of the Orchestre de Paris. After that I wrote recently from Kafka's Castle (directed by Laurent Festas), I have other ideas for operas, yet dashed. I have several projects and monographic discs of my music (works for string orchestra, choral works, works piano), but I'm still waiting for funding ...

Friday, November 5, 2010

Karol Beffa improvise Listen to the evening reading PANTHEON, Thursday, November 18 2010, at 20:30 refectory of the Cordeliers - 15 rue de l'Ecole de Médecine, Paris 6e (Metro Odéon)

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A feeling of jealousy coat, a coat of folly, one of desire, engineering fold, meters of sweetness and color, the boldness of scissors ... Overalls noticeable, we dress as we want to be, as it is seen. Sometimes, the costume clears man.

The fantasy of the appearance or reality of the visible in eight texts.

Go for the evening THE CLOTHING honored Wednesday, November 17 from 20.30 at the French Institute of Fashion, amphitheater. Yves Saint Laurent - 36 Quai d'Austerlitz - 75013 Paris

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Our partner: Centre Chopin

Music Festival 2010 has headed the honor of counting among its partners the Centre Chopin, the department store's piano Paris. The

Centre is a specialist in Chopin piano: they are digital, acoustic, new or used, the pianos they offer are guaranteed by the workshop, consisting of 10 technicians and advisers, who will guide you through the choice of the piano of your dreams. Many artists have trusted the expertise of the Centre Chopin, including M, and Alain Chamfort Benabar! The Centre welcomes lovers of Chopin piano in his two shops: one located

• full sister to Paris at 175 rue des Pyrenees, 75020 PARIS
• the west of Paris, located at 6 / 10 rue des Quatre Fireplaces, 92100 BOULOGNE
  

During the festival This year, the piano notes resonate through the talents of two artists: Karol Baffa we propose an improvisation on the piano during the evening HALL, Thursday, November 18. The next day, it was the turn of Lorène Ratuld to Interpret music by Schumann, Ravel and Prokofiev at NIGHT AT PAGE.

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