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Conference declamation-Philippe Brunet: "Psappho, still alive"





The president of the Association of Friends of Museums St. Lois, Suzanne Leclerc, before the painting by Gustave Moreau presented the theme of the conference
Philippe Brunet



already visited the museum last year, recited in ancient Greek to the famous painting by Corot, Homer and the Shepherds
after analyzing the composition of Iliad and Odyssey

(article OF on his verse translation , Editions du Seuil)



(links Homer + the to Greek)
"Sappho still alive

" Such is the paradoxical title chosen by Philippe Brunet for his conference, with singing and dancing.

Contrairement à L'Iliade et à l'Odyssée, aux Travaux d'Hésiode, à l'oeuvre de Pindare, le texte de Sappho ne nous est parvenu que d'une manière fragmentaire : it retains essentially the Hymn to Aphrodite , and an ode incomplete exceptional influence. Restitution, restoration, interpretations designed to fill holes in papyrus make random the book initial.La oral transmission could play a role in conservation because, unlike the epics of Homer, Sappho composed songs, and occasional pieces focus on personal feelings.
Yet, unlike Homer, whose existence is problematic, Sappho's life is known to us. We know she was born on the island of Lesbos, where the expression which means, "The Lesbian"-probably in Mytilene. We know the name of his father , One of his three brothers. She had a daughter she named Cleis, named after his own mother. She was accused of being a tribade, when in reality she was surrounded by a circle of young girls to whom she taught the art of poetry. During his lifetime (I VI century BC.), She was recognized as a poet on a par with Alcaeus. She is the creator of the stanza hendecasyllables called "Sapphic", consisting of 3 to hendecasyllables lesbian (or lesbian large) and an Adonis to 5 syllables. According to tradition, "Sappho threw herself into the sea from the rock of Leucate for love of Phaon, the Mytilien ", and that is the subject of the painting of Gustave Moreau, Death of Sappho , (1872) hangs at the Musée des Beaux-Arts de Saint-Lô, to whom Philippe Brunet sung on his lyre extracts from poems, and stressed the rhythm of the stressed syllable of a dancing step. Diverting values epic and manly Sappho's poetry glorifies the lyricism, desire, passion and its symptoms with realistic description or flood inspired Racine's Phedre horrors facing Hippolyte

"Because I hardly see you, I stay any dumb
and my tongue is like broken, slipped under my skin /
suddenly, a thin flame, and my eyes, blind /
empty, my ears ringing;:
Sweat runs down my limbs /
takes me a shiver; even more livid /
as grass yellowing, I think I feel death approaching "

(Fourth stanza of Ode Translation II -Philippe Brunet)

But beyond mere biography that covers the "I " and to whom are the sensual poems Sappho? "I will always virgin she writes, while qu'Alcée describes it as: " smiling Sappho, with purple braids, pure "- or" chaste "-more appropriate epithet for the goddess Aphrodite only one death, one daughter, as we know ...

Different recipients of his verse, the bride, a young girl exiled differently identified, this Phaon ( "The brilliant ", nickname of Apollo) which we know little, or Artemis Aphrodite, do they not solve all in the same ideal, that of Beauty?

Similarly, in the painting by Gustave Moreau Sappho's face do not confuse it with that of Orpheus and the light that bathes the scene Is not that of art?

MS

Bibliography:
Sappho, poems and fragments , bilingual edition, text established and translated by Philippe Brunet, Library The Age of Man (1991) / (print)
History Greek literature Suzanne Said, Monique Tredi Alain Boulluec, PUF (1991).
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P. BRUNET, the equal of the gods. Hundred versions of a poem by Sappho , foreword by K. HADDAD-WATLING Paris, Allia, 1998.

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The videos below have were performed by Enitram I warmly thank:

Philippe Brunet spoke style Psappho his juxtaposition of words which require translation freer than those who have hitherto been proposed.

Declamation of
" Hymn to Aphrodite and Ode to the beloved in Sapphic stanzas, that is to say
3 times and 11 syllables Insertions of 5 syllables.

- u - - - uu - u - -
then - su - -
- is a long syllable, u a short syllable.

All stanzas have the same rhythmic structure and orchestra, as I have shown that these worms will dance, I sing them, play them on the lyre and dance at the same time, which means that the three dimensions coexist 's perform at the same time. "
(Philippe Brunet)

Hear some verses, sung to the lyre of the modern Ethiopian bard and a rhythmic quick time.

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Philippe Brunet, remember, has published a verse translation of the Iliad Threshold Editions of . (500 pages)

Types Of Oxford Hsa Insurance

Gustave Moreau, Death of Sappho (1872) Museum of Fine Arts in Saint-Lô

Conference Philippe Brunet Museum of Fine Arts Saint-lô
(half) of

Declamation " Hymn to Aphrodite and Ode to the beloved in Sapphic stanzas
3 times a clause 11 syllables and 5 syllables.
- u - - - uu - u - -
then - su - -
- is a long syllable, u a short syllable.

All stanzas have the same rhythmic structure and orchestra, as I have shown that these worms will dance, I sing them, play them on the lyre and dance at the same time, which means that the three dimensions coexist accomplished at the same time. "(Philippe Brunet)

( Doc:" At Table! The landscape in the collections of the Museum of Saint Lo "- Educational Service of the Museum of Saint-Lô, April 1995)

( Personal Photo :
Suzanne Leclerc, President of the Association of Friends of Museums St. -Acts presents the activities of the association, Philippe Brunet and theme of his lecture)
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This oil on canvas small size makes Sheet portion of the fund.

Academician Octave Feuillet had received from the painter, through Flora Singer, a friend of his wife. In a letter to Valérie Feuillet, Flora Singer presented this chart and "(...) I know nothing more touching than this little woman rejected by sea and on shore, dead, is still the lyre of the poet on his heart. You will see that the feeling is everywhere, even in the sun gently lying and resembling the moon. " If the letter writer reduced to an anecdote about the poet and to "a little woman," while emphasizing the function of the lyre and receives the symbolic dimension of colors and stars.
Gustave Moreau Museum in Paris has a preparatory drawing in pencil (16/27, 2 cm) Sappho, whose lying, languid attitude, worthy of a Ophelia - are those our table, while the version in watercolor (18, 4 / 12, 4 cm) (here) the Victoria and Albert Museum, Sappho on the rock present it just before the fatal jump in a very different position: marrying the verticality of the rock on which she leans, her face bent, facing left, eyes closed, she meditates, with, in the background, and chased right, the column topped by a winged horse that can be guessed, in the oil painting under the bloody haze of the sun couchant.Une gouache watercolor of 1880 (Private Collection , 33/20 cm), Sappho rushing into the sea, shows his fall (which no title could equally well be a flight or even the arrival of an avenging angel, like the Angels Sodom (93/62) G. Moreau Museum)
These few examples reveal the painter's fascination for this subject, treated for the first time in 1846, and most recently in 1893.
The presence of a lyre monumental and richly decorated with striking offers a reconciliation of the recurring figure Orpheus , especially in this oil on wood Musée du Louvre 1865 (154/99, 5 cm), where the severed head poet's collected by a young girl and placed on his Thracian lyre strangely reminiscent of the character of Sappho to drift and the horizontal composition of Table holy laws.
If we add that, in the myth, the head of Orpheus floated on the waters of Erebus, assimilation between these two poets is perfect, accentuated by their androgynous allure.

literary Painting? Gustave Moreau suffered from this point of view of his work, he whose ambition was to "make visible lightning inside that no one knows what to attach, that something divine (..) and which, translated the effects of pure plastic, provide magical walks " (Philippe Jullian, Aesthetes and magicians, 1969) and who told his pupil Evenepoel" Note one thing: we should think of color, have the imagination. "

Beyond the subject, the magic of this little picture is it not due to treatment of light, these effects of" pure plastic " to "color thought, dreamed, imagined" talking about the painter?


MS

Bibliography
Art de Basse-Normandie, No. 124-Fourth Quarter 2001, History Collections Museum of Fine Arts in Saint-Lô
Gustave Moreau, Jean Selz , Flammarion (1978)
Paris, Musée Gustave Moreau , edition of the RMN, Paris, May 1994, April 1998
Online Symbolist , Jose Pierre, Editions du Club France Loisirs, Paris





(Personal Photo)

Both videos were made Sunday, December 5, 2011 by Enitram I warmly thank: 1-

During his lecture-recitation entitled Psappho alive Philippe Brunet analyzed the style of the poet, his juxtaposition of words (similar to those of Victor Hugo evoking "shepherd-headland" ) which require translation freer than those who were until proposed here.

2-Listen to some verses sung Ethiopian lyre, rhythmic modern bard of a quick time.

(To be continued)

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. Pencil Drawing of the Gustave Moreau Museum
(Gustave Moreau, Jean Selz , Flammarion (1978))

Victoria and Albert Museum, Sappho on the rock ( ibid)

Sappho rushing into the sea (ibid.),

angels of Sodom (93/62) G. Moreau Museum (ibid.)


Orpheus , oil on wood, Musée du Louvre (ibid.)

(Click to see more prints)
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Gc Tooth Mousse Expire

Hours

intellectual and artistic center, since its restoration, which made her the 'i nstitute of m memories of e Publishing c ontemporaine, the clear and bright Abbaye d'Ardenne experienced dark days during World War II. On the site of the IMEC, Article Ardenne in turmoil exposes the tragic events which the Abbey was the setting. www.imec-archives.com/abbaye_historique03.php The following is borrowed site Normandy 44 "On June 7, 1944, the regiment's command post 25 of the SS Division Hitler moved to Abbey Ardennes, an ideal observatory. Standartenführer SS Kurt Meyer-cons is preparing a attack against Canadians who progress in Buron Authie. The surprise was total, Sherman Sherbrooke Fusiliers infantry of the Camerons and the North Nova Scotia Regiment are rushed and are hiding in Buron. The SS are many prisoners who are searched, questioned and then evacuated. But from June 8 to 17, twenty-seven Canadian soldiers were executed at the Abbaye d'Ardenne. The front was stabilized until July 8, when General Montgomery launched an offensive Charnwood. The abbey is bombed, the fighting is fierce and the SS are determined to hold to the last man. But Kurt Meyer gives the order of the downturn. The Germans evacuated the night of July 8 to 9, and Canadians of the Regina Rifles Regiment enter the Abbey d'Ardenne deserted and silent. " " Within the walls of this abbey, in a small garden, a monument was built with stones fallen from the church during the fighting in the summer of 1944 and is dedicated to the 27 Canadian soldiers, prisoners of war who were executed by the enemy in June 1944. A plaque on the entrance wall recalls the execution of Canadian soldiers in the walls Abbey d'Ardenne in June 1944. " On Abbey d'Ardenne , photos and personal items previous here Thursday, February 24, Regis Jauffret bed Severus filmed performance-Tithe Barn

Aa Directions By Foot

dark objects previously (Bois Jugan 3 / 3) As





In search of the past.